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Models and Tools: Campus Level-Elementary Music

Florida Elementary Music Educators Association


Curriculum












The repertoire taught in music class and ensembles includes music representing and styles from diverse genres various periods and cultures.


The curriculum comprises a balanced and sequential program of singing,
playing instruments, listening to music, improvising and composing music,
and moving to music. Also included are learning experiences designed to
develop the ability to read music, use the notation and terminology of
music, analyze and describe music, make informed evaluations concerning
music, and understand music and music practices in relation to history and
culture and to other disciplines in the curriculum.

Instructional activities are directed toward achieving the Sunshine State
Standards:

A. Skills and Techniques

B. Creation and Communication

C. Cultural and Historical Connections

D. Aesthetic and Critical Analysis

E. Applications to Life

Instruction is provided in vocal development within the context of the
general music lesson and expanded and enhanced within the context of the
elementary chorus. The repertoire taught in music class and ensembles
includes music representing diverse genres and styles from various periods
and cultures. General music instruction also includes the following:
unpitched and pitched percussion (e.g. xylophones) recorder, fretted
instruments, keyboard instruments, electronic instruments, instruments
representing various cultures. Instruction is provided in string, wind, and
percussion instruments.




Scheduling


Every student receives general music instruction each week for at least
ninety minutes, excluding time devoted to elective instrumental or choral
instruction. Music is woven into the curriculum throughout the school day.
Instruction by music specialists is provided in periods of not less than
twenty minutes nor more than thirty minutes in grades PreK-2 and in
periods of not more than forty-five minutes in grades 3 through 6. Classes
in general music are no larger than classes in other subjects of the curricu-lum.

Music instruction is provided for students receiving special education
whom are not included in regular music classes. When students with
disabilities are included in regular music classes:

A. Their placement is determined on the same basis as placement for students without disabilities (e.g. musical achievement, chronological age).

B. Music educators are involved in placement decisions and are fully informed about the needs of each student.

C. Their placement does not result in classes that exceed the average class size for the school by more than 10 percent.

D. The number of these students does not exceed the average for other classes in the school by more than 10 percent.

Music specialists are provided with a block of time of at least 30 minutes within the student day for preparation and evaluation, excluding time for lunch and travel from room to room and building to building. Additional planning time is allocated for use in planning performances by school ensembles, school wide performances, as well as preparing collaborative projects and curriculum integration with other staff members. Sufficient time for travel is calculated in the teaching loads of teachers who are required to move from one building to another.


Staffing










Sample job
description for
elementary music
specialist































Walk-through
Observations












Full Observations



General Music is taught by music educators who are certified to teach music, have extensive knowledge and training and are fully qualified for their instructional assignments in music. In order for every student to have reasonable access to the teacher’s attention, the overall teacher-pupil ratio is no greater than 1:400.

Special education classes in music are no larger than other special educa-tion classes. Teacher aides are provided for special-education classes in music if they are provided for other special education classes. If a student or group of students has an aide to assist in other classes, the aide also assists in the music class.






The elementary music specialist is responsible for the full implementation of the Curriculum Framework for the Arts for Music. The music specialist must be able to collaborate and cooperate with all staff members in the implementation of the standards for music as well as the full scope of the standards document.


Qualifications include:

  • Music education degree from a fully accredited university or college, or music degree from a fully accredited college with additional courses to provide certification in music education.

  • Ability to provide accurate appropriate vocal model for young singers.

  • Ability to accompany singers on one or more instruments includ-ing piano or guitar

  • Ability to teach the structure of music, the performance of vocal and instrumental music, and creativity in music through composing and improvising at the developmental level appropriate for each grade of elementary school.

  • ¨Evidence of commitment to ongoing in service and professional development.

  • Ability to communicate to students, school staff, parents, and community members in, about, and through music.

Students are actively engaged in one or more of the following activities: singing, listening, moving, playing instruments, arranging, improvising, composing, analyzing, describing, reading, and writing.

The music teacher is actively engaged in the lesson in one or more of the following ways: presentation of material, modeling musical behaviors (e.g., demonstrating singing, listening, playing instruments, moving, improvising, composing, arranging, etc.), presenting verbal as well as musical questions for student response, listening to student responses, assessment and evaluation of student achievement.

The students are following classroom procedures. Students are actively engaged in the lesson and readily participate in the lesson. There is an obvious “connection” between the students and the teacher. Students leave the room looking forward to the next music lesson.

The classroom is attractively arranged, thereby providing student access to space suitable for the lesson. The classroom rules are prominently dis-played for all students to see. The classroom is “print rich” with appropri-ate visuals to illustrate the musical concepts that are being studied as well
as appropriate vocabulary that students encounter during the lessons. The classroom displays drawings, student compositions, writing, and arrangements to provide a focus that honors high student achievement.

The music lesson includes many of the following activities” singing, listening, moving, playing instruments, arranging, improvising, compos-ing, analyzing, describing, reading and writing. The elementary music lesson always includes singing as a strategy for teaching musical concepts as well as for the vocal development of students. Students have ample opportunities to sing without recorded accompaniment. At least five minutes of each lesson is devoted to teaching music literacy (e.g., learning to read and speak the language of music). The music literature that is included in the lesson is of the highest quality, e.g., music of lasting value from all genres.

There is a written lesson plan that is comprehensive in nature. There is evident that the lesson being observed connects with others previously taught and leads to future lessons. The Curriculum Framework for the Arts for music, as well as other appropriate benchmarks are referenced in the lesson plan. The lesson includes an opening, several new teaching points and a summary of what was learned. A variety of teaching strategies are employed to ensure success for all learners. Assessment of student achieve-ment is embedded within the lesson in a seamless manner.



Budget


















Recommended
activities for funding,
and fund-raising






Appropriate/typical
activities in a school
year
An annual budget is provided by the campus or district to the elementary music teacher for the purchase of records, CDs, and audio tape and videotape; computer and electronic materials; and the other special supplies, materials, and equipment needed for the teaching of music.

The annual budget provides for the repair and maintenance of instruments and equipment that is equal to at least 10 percent of the current replace-ment value of the total inventory of instruments and equipment.

The annual budget provides for the replacement of school-owned instru-ments that is equivalent to at least 5 percent of the current replacement value of the total inventory of instruments.

The annual budget allots funds for the purchase of music for the elementary chorus and strings classes. At least 15 titles for each type of group are added each year. The library of music for performing groups is sufficient in size to provide a folder of music for each student in choral groups and for each stand of no more than two performers in instrumental groups. The library contains no materials produced in violation of copyright laws.

An annual budget is provided that provides for the purchase of CDs, audiotape and videotape; computer and electronic materials; materials and supplies needed for the teaching of music; and professional development of district music staff (attendance at conferences which provide in-service opportunities).

Fundraising and extracurricular activities at the elementary level should be held to a minimum. One school fund raiser, if any, held without door to door sales, is appropriate for the elementary music department. Extra curricular activities such as skating parties or picnics should be kept to a minimum.

The elementary music teacher should provide opportunities for student performance within the school day or at a Parent Teacher Meeting or community events. These performances can be developed as a natural culminating event of a unit of study in the general music classroom as well as a performance by an ensemble (e.g., chorus, Orff, recorder, guitar) that is provided as an extension of the general music lesson.

The music specialist should plan to present student performances from three to five times each year. Priority should be given to school perfor-mances for parents, students, and members of the school community. A typical performance schedule would include a winter holiday performance, a spring performances and a performance at a community event (e.g., District Festival, Community Center, Retirement Home, local hospital, etc.).

The music teacher and the school administrator must work together to provide a focus on actual performance rather than entertainment. Perfor-mances provide students with an opportunity to demonstrate what has been achieved as a result of classroom lessons and to learn the skills necessary for performance in a public setting. Students have the opportunity to demonstrate formal performance behaviors (e.g., following the cues of a conductor) while actively engaging in music making in a public concert setting. The performance setting is often more formal with great attention
being given to the performing group through active listening and viewing by the audience.

Entertainment, however, involves background music for social events. The audience is often engaged in talking during the music and the focus is on the event rather than the student performance. Entertainment activities are more suited for young adults and professional entertainers. Ethically, the school music program should never infringe on the employment opportuni-ties for professional musicians and artists.


Equipment


.
  • Equipment in every room in which music is taught includes:

  • A high quality sound reproduction system capable of utilizing current recording technology.

  • Each school provides the following for use in music instruction:

  • A complete Orff instrumentation with an appropriate ratio of instruments to provide a balanced sound and accommodate the largest class size.

  • A full complement of pitched and non-pitched ancillary instru-ments including but not limited to:

    • Recorders - sopranino, soprano (enough for 1 grade level), alto, and tenor

    • Drums of varying sizes and representative of various cultures various sound effects instruments.

    • Guitars

    • Violins, violas, cellos, basses

  • 2 acoustic pianos (one for the music room and one for performance area)

  • Audio recording and playback system

  • Video recording and playback system

  • Computers, with CD-ROM, appropriate music software and access to school and WAN

  • Printers

  • MIDI equipment

  • Electronic keyboards

  • Synthesizers

    • Note: electronic sound sources are not an equal
      substitution for acoustic sound sources and should be
      ordered after a full complement of instruments has been
      provided for students.



Materials
  • Sound recordings representing a wide variety of music styles and cultures

  • A set of music textbooks, published not more than six years previously, for each grade level including teachers’ editions and supplementary resource materials.

  • A library of teacher resource materials (software, books, recordings, visuals) for use by the music specialist

  • A library of teacher resource materials about music (software, books, recordings, visuals) for use by classroom teachers.

  • Class sets of manipulatives (e.g. juggling scarves, bean bags, balls, ribbons, large floor staff, sets of magnetic music symbols and bulletin board materials, music games and flash cards, fraction bars, pocket chart for sentence strips)

  • A library of student resource materials that provide a variety of audio and video materials, music related software, books, visuals, and other print materials.


Facility

A suitable room is designated for teaching general music. The room is large enough to accommodate the largest group taught and to provide ample space for physical movement. It has appropriate acoustical properties, a quiet environment, good environment, good ventilation, and adequate lighting. It contains storage space for classroom instruments, equipment, and instructional materials.

A suitable room is available for teaching instrumental music in every school. The room is large enough to accommodate the largest group taught. It has appropriate acoustical properties, a quiet environment, good ventilation, and adequate lighting. It contains storage space for instru-ments, equipment, and instructional materials.

Sufficient secured storage space is available to store instruments, equip-ment, and instructional materials. Shelving or lockers are provided for various large and small instruments.

In order that every student may have convenient, private access to his or her teacher for consultation and help, office or studio space is provided for every music educator.

The music facilities are adjacent to one another, they are acoustically isolated from one another and from the rest of the school, and they are readily accessible to the auditorium stage. All facilities are accessible to persons with disabilities.